American Impressionism: The Lure of the Artists’ Colony, on exhibit at the Museum of the Shenandoah Valley in Winchester, Virginia, now through August 4, 2013, follows the Golden Age of American impressionism through several artists’ colonies from the 1880s through the 1940s. Paintings are grouped by artist colony, from Cos Cob and Old Lyme in Connecticut to Taos, New Mexico and several in California.
Winchester is the first stop for this travelling exhibit from the collection of Pennsylvania’s Reading Public Museum. As quoted on the Winchester museum’s website, “‘The exhibition provides a rare opportunity to see such a wide variety of approaches to impressionism in America,’ said Scott Schweigert, The Reading Public Museum’s Curator of Art and Civilization. ‘I think visitors will be delightfully surprised by the tremendous scope and depth of the Museum’s collection in this area.’”
My favorite may well have been the Edward Willis Redfield (of the New Hope, Pennsylvania Colony) rendition of Winter in the Valley, maybe because it reminds me of Jeff Chumley’s painting of the shuttered Vaucluse in the snow all those many years ago. It was a pleasure to be able to sit quietly for a few moments and enter into another world.
New visitors to the Museum of the Shenandoah Valley will want to see its permanent collections for a great introduction to the Shenandoah Valley, its people, history and decorative arts. Although the historic Glen Burnie house is currently closed for renovation, a visit to the museum’s Founder’s Gallery exhibit, Moveable Feasts: Entertaining at Glen Burnie, gives a glimpse into the world of Glen Burnie’s last owner and his partner. The exhibit takes a light hearted look at everything from brunch on the patio (with tame quail and a squirrel) to formal-dress cocktails in the Pink Pavilion (with the guests wearing Planet-of-the-Apes type masks). The gardens and grounds are also open for touring and well worth a visit.